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Great Britons – The Studio Debate

The 'Great Britons' poll to find the nation's top ten Britons who have contributed most to British life culminated in a live studio-based debate broadcast on BBC TWO on 24 November 2002. For the finale, BBC News wanted to produce an election-style programme including ten presenters, a large audience of supporters and a screen feeding regular updates.

Alexandra Henderson, Editor and Rob Hopkin, Director, BBC News wanted a studio space that was large and versatile with suitable infrastructure for an event of this scale. They worked closely with BBC Studios to plan the programme format within a tight time-frame. For the event, Studio 1 in Television Centre was used and could easily seat the required 230 people.

Commenting on the programme, Rob Hopkin, Director, BBC News said: "This was a very high profile series and we wanted the ultimate show to do justice to the national debate that had developed during the documentary series. BBC Studios worked with our own team to not provide not just the space but the infrastructure, logistical and technical support we needed."

Set designer Christopher George was brought in to achieve the desired look for the programme and he worked alongside the studio team. The 360 degree circular set, with arena seating for the supporters, also featured an LED video wall containing VT updates presented by Peter Snow, a podium for presenter Anne Robinson and an area for the presenters.

The studio plan was continuously evolving as adjustments were made and once it was drawn up, BBC Studios gained local council approval. When BBC News wanted to add in extra seating on the day of the show that would block the existing fire exits, modifications were made to the set and approved by the council to provide new fire exits for the audience.

One of the most complex requirements was the sound which was overseen by Dave Lee, Sound Supervisor, BBC Studios. Six audience microphones were positioned high up above the seating rostras to pick up the general ambience and applause. In addition, six directional microphones on the end of "fishing rods" (extendable microphone holders) were also used to capture specific comments and questions from the audience.

To facilitate everyone hearing each other a number of loudspeakers were placed around the studio. The audience was arranged in to 10 "wedges" of 22 and above each one was a complex mixing and matrixing system which fed microphones to the appropriate zones. (No microphone could be used close to a speaker as this would have caused feedback problems). Additional loudspeakers were provided for Anne Robinson, Peter Snow and the guest presenters. Each loudspeaker had its own specific destination containing a unique mix. These were generated as sub - from the broadcast mixing console that were fed to a public address mixing point on the studio floor which passed the relevant mixes to the speakers.

A spotter at the PA point kept the whole sound crew informed of where Anne Robinson was looking to go next and which members of the audience looked likely to speak next. Each microphone was kept on a separate channel of the mixing desk and faded up the mics which were need at any time.

During the show some of the radio mics experienced interference. This was caused by a combination of mobile phones, other people in the vicinity using radio mics as well as too many walkie-talkies being used at the same time. The sound team quickly realised that they could deal with the interference by substituting some of the mics and they were on hand to put out cabled standby mics which were then faded up to give a good sound quality.

On the night, the BBC News production team worked with the studio staff on the ground. Seven cameras were used to capture the action in the round including a technacrane to get overhead moving shots to create big dramatic moves.

Jeremy Turner, Resource Manager, BBC Studios adds: "The whole show was very demanding, both technically and artistically. Due to the fluid nature of the programme plan and the fact that it was a live studio event, it was important to work closely as a team and find solutions to the challenges."

-ENDS-

About BBC Resources
BBC Resources is one of the leading broadcast facilities operations in the UK. The company was incorporated in 1998, and was the first of the BBC's commercial business-to-business subsidiaries to be established. It now forms one of the four businesses within the BBC Ventures Group – alongside BBC Technology, BBC Broadcast and Kingswood Warren Ventures. BBC Resources supplies a comprehensive set of facilities and services including outside broadcasts, studios, post production and costume and wigs, combining extensive experience with a plethora of award-winning talent and expertise. Mike Southgate is its Managing Director. Further information about BBC Resources can be found at: www.bbcresources.com

About BBC Studios
BBC Studios, a division of BBC Resources, provides a portfolio of fully-equipped studios. Based at London's Television Centre and Elstree, the full range of 17 studios are flexible and able to cater to any programming requirement across multiple genres - from game shows to music and entertainment, drama and live events. From award winning craft staff to highly skilled engineers, BBC Studios staff are all experts in their field and are on hand to offer advice and guidance at any stage of the production process. BBC Studios is also able to provide bespoke studio-based equipment including touch-screen, virtual reality technology and interactive TV solutions. Further information can be found at www.bbcresources.com/studios

For further information, please contact:
Georgie Hollett, PR & Comms Exec, BBC Resources
Tel: +44 (0)20 8576 2350 (Television Centre)
Mobile: +44 (0)7834 845612 (Mobile)
Email: georgie.hollett@bbc.co.uk

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